My parents are still very active in the theatre on Vancouver Island - acting, directing, producing. I have had the extreme honour of coaching them in their work.
This philosophy didn’t happen overnight, this is a continuing journey for me. When I was 19 years old my father sent me to his agent and former student Jerry Jordan who set me on a righteous path of finding and supporting the ethical agents and teachers in this industry.
I first went to the Actors Workshop and trained with Alan Jordan for a year. At the time Uta Hagen taught master classes out of the Actors Workshop so there was a real classical and magical feeling in the air. I did every course that Alan Jordan offered. I never got to train with Uta but read her books as they were required reading. I also read every book I could find on the craft, exploring all techniques.
At the same time I was in every play, Film and auditioning and Gaining as much experience as I had time for.
I then moved to Sears and Switzer and studied there for 2 years. The simplicity and the love in their technique are still with me today.
I was also training in Chi Gung and Kung Fu with a Master from Hong Kong Dr. Terry Hui. I began to understand that everything was energy. The first lesson from my mother, about speaking from my core, from my diaphragm, really started to translate into the same vibration I was feeling from this energy work. I could not help to begin to marry acting and Chi Gung and started to bring it into every audition and every role.
In my late 20s I moved from Toronto to Vancouver and trained with Mark Brandon who’s book, Winning Auditions: 101 Strategies for Actors, I highly recommend as great trade book that covers so many answers for the actor.
I then followed a classmate and trained with Andrew McIlroy at McIlroy and Associates.
I was also in and out of Anastasia Bandey’s amazing audition drop-in classes out of her studio ActorWorks.
I loved all the work. Although I learned a lot, it all wasn’t quite clicking.
My agent suggested I try Shea Hampton’s Acting from Source classes and that’s when things really started to click for me on the inside. This was a professional training ground, not only to gain a Mastery in the craft, but also translates into booking professional work.
To this day I am still in Shea’s class and use her techniques in my coaching and private classes. Shea challenges me every week so I can keep growing and learning as a performer. Also Humbling myself so I can truly let go of “ knowing how to act.”
I take this into my class where I continue to grow as a Teacher. Where weekly I can help cultivate Presence and connection in the Actual Work of “Bringing Truth to the Writen word.”
An actor must never arrive, and say “This is a good as I am going to be. I know how to act,” for we are only as good as our next role. So we are always striving to do our best work yet.
I learn from my new students, from my old students who have been with me 10 years plus and from my classmates and cast mates. My story continues and I hope for you to join me so that we may continue to evolve, grow and learn together in this Philosophy, This craft that we love so much.